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THE BLOOD LUST OF A
FRENZIE'D VAMPIRE !!
"When two young men are brutally murdered the wounds on their bodies suggest they were the victims of a bird of prey. Both men were students of Dr Mallinger (Robert Flemyng), but the distinguished entomologist seems unable to help the fastidious inspector Quennell (Peter Cushing) with his enquiries. "Quennell soon finds a third victim, who gasps the words 'death's head' before he dies. Quennell pursues Mallinger and his beautiful daughter Clare (Wanda Ventham) to a remote village, where he discovers the truth about Mallinger's bizarre experiments and the nature of Clare's horrifying secret..." dvd review Vernon Sewell directs the film well enough, but cannot get past the problematic scripting. Peter Cushing claimed it was the worst film he had ever done, in his autobiography, and some have argued that the poor reputation that the film generally receives is simply due to this statement. Whilst its true that there is some clumsy construction (the prologue that never really fits in with the rest of the film, and is, very anti-climactic), and some dire special effects (the giant moth works best when it isn't attacking, or supposed to look menacing), the film does not deserve to be ignored. As Tigon's first credited horror picture, this is very important. The company would become a major player in British horror, with at least one great picture to its credit (Witchfinder General was the next one to shoot). Cushing of course gives his usual performance. Incredibly naturalistic, and always believeable. The support is okay, although the kids are cringeworthly. Robert Flemyng is an interesting foil to Cushing's police inspector. Flemyng took the role on at the last minute, as the part was originally destined for Basil Rathbone, who died just two weeks before shooting commenced. Wanda Ventham is sexy, but perhaps a little too aloof for her co-stars. Not much seems to happen for huge sections of the movie. When I first saw it, I thought it very stagey, and that is a view which hasn't changed. I found myself marvelling this time at how Cushing is allowed to just go through the motions, and utilise the props silently during one lull. The awkwardness shows up most of all during comedian Roy Hudd's guest appearances as the morgue attendant. Having worked a routine into the script with Cushing, he provides some welcome relief, but is permitted to monologue just a little too long. Production design is okay, and let down only by the silly moth. Don't expect wonders from the film, but don't write it off either. Allow it to happen. transfer extras RJES |
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DISC: Feature length: 77
mins SPECIAL FEATURES: see left for full details |
Kult UK 26th January 2005
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