THE COLLECTOR (us dvd)
william wyler

She was his most beautiful specimen.

plot
Terence Stamp stars as a lowly bank clerk from Reading whose obsession with butterfly collecting takes on a new sinister twist when he falls in love with beautiful young art student (Samantha Eggar). He soon sets about collecting her, convinced she will fall for him too...

dvd review

story
There are so few really good films around these days, that it is refreshing to find so many splendid examples in the past.
The Collector is one of those finely crafted thriller-types which keeps the viewer on his toes, shocking and enticing his pleasures. A deeply unsettling experience which will keep even the most seasoned viewer guessing the outcome until the final reel.

Needless to say the entire experience is a confused one. Stamp appears around the streets rather like an atypical pervert, adorned in long mac and cap (think Keith Moon's Uncle Ernie in Tommy, or even Peter Cook). For a psychopath, Stamp seems rather likeable early on, becoming very human by the 40 minute mark.

This is the focal point of the film, the viewer's empathy with Stamp's characterisation. We can all see a little of ourselves in him - lost, confused and shy around the opposite sex, particularly those whom we have fallen for. His feelings seem genuine, even if he does stalk Eggar and then kidnap her. He reasons things out, permitting her freedom within an allotted time. From there it becomes a question of will she fall for him after all, and whether she does or does not, will he let her go home.

He is a love-stricken schoolboy living out fantasy (much as Malcolm McDowell does in If...). Eggar meanwhile is the more dominant personality - full of life and charm. Delictable indeed.

The whole experience is unsettling, with the game of snakes and ladders never over. It is unsettling and frighteneing. The leads are very adept and subtle in their mannerisms. Stamp crosses between naive adolescant innocence and depraived sinister malevolence. He's either a perfect gentleman or a total cad.

In the closing quarter the pace quickens and varies enormously, building up to a shock conclusion - whiolst it is difficult to judge her reactions, Eggar attempts to take over and seduce him - using his desire of her and give in to the inevitable (much is made through the film of the stragnge boundaries that lie between the pair in a sexual manner). This scene provides a strange and confusing kind of eroticism - a form of altered rape - where the consent is against the natural will and desire.,

He can't control himselfg as is evident throughout - and this upsets him. More than once he leaps away from a normality. In the attempted sex scene one expects him to prematurely ejaculate and thus save her from the indignity.

You can't always get what you want , and yet in some ways both characters do - just not the way they hope.

A fantastic and well crafted film. The direction is without fault. The viewer is kept on his toes, and kept interested throughout. The photography and production values are also first class. The small isolated and claustrophobic locations ensure the relationship is always tense and almost threatening in itself. A much more intense and compelling view than modern yarns including Panic Room.

transfer
The 1.85:1 anamorphic transfer is generally very good, and the print stands up well for one of its age (I've seen plenty of worse examples over the last couple of years). Whilst the sound is monophonic, it is very clear and free from hiss and pops which show up on less accomplished tranfers.

extras
Sadly for such a promising film, no effort has been put into the extras side of things. Biographies of the stars and prinipal crew and filmographies would be welcome. And I see no reason why galleries of press books, lobby cards and poster reproductions should not become standard features. They are usually radily available (one can easily find them after a trawl of the net). A bit of extra money into the preparation would certainly help sales, especially when one considers the price that Columbia tend to ask for essentially basic discs.

The trailers are all for similarly themed thrillers. Only the trailer for this film is of the period. Its a fine transfer as are the others, but is slightly misleading in terms of plot events for the film. Whilst I expected several key scenes as a result (I nearly always watch the trailer before the main feature), I was off-course with some of my expectations of their relationship.

Trailers
The Collector
(2mins 52sec) Fullscreen. Very nice and rich transfer which manages to catch something of the flavour of the film itself.
Enough (2mins 28secs) 1.85:1 anamorphic trailer for the 2002 Jennifer Lopez vehicle. Excellent transfer as we would expect.
Panic Room (2mins 33secs) 2.35:1 anamorphic. Good transfer. Excellent 2002 film, perhaps more in line with the main feature than the Enough trailer.

SUMMARY
A gripping, terrifying and disturbing piece of craftsmanship. Stamp is the supreme example of a psycopathic stalker, and Eggar is delightful and adept as the unfortunate victim of his affections. A splendid dvd transfer, albeit lacking in supplemental material.

RJES

PURCHASE R1 DVD AT AMAZON.com

DISC:
Release Date: 1st October 2002 (US)

Feature length: 119 mins
Colour NTSC
Year of 1st release: 1965
Rating: NOT RATED (US); 14A (Canada)
Aspect Ratio: 1.85:1 anamorphic widescreen
Audio: Dolby Digital Mono English
Chapters:
28
Region code: 1
Catalogue no: 07893
Distributor: Columbia Pictures / Columbia Tristar Home Entertainment
Price: $24.95
Cast:
Terence Stamp, Samantha Eggar
Director:
William Wyler

SPECIAL FEATURES:
* Theatrical Trailer
* Bonus Trailers
* Subtitles: English, French, Spanish

Kult UK 06 November 2002
e-mail us at KultUK@avalard.com

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