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2003 Academy Award Winner
Charlize Theron : Best Actress
"Charlize Theron [The
Italian Job, Trapped] explodes in a magnetic, Oscar-winning
performance as convicted killer Aileen Wuornos. DVD Cover blurb Charlize Theron won an Oscar for her performance, under make-up and latex, of the first female serial killer in the US' history. A woman, who after suffering abuse as a child, ended up wandering the streets as a hooker, eventually turning on her Johns, following a brutal attack at the hands of one. Having killed one, she goes on a rampage. The film itself is slick looking, with an admittedly brilliant performance from the normally glamorous Theron (I didn't really appreciate it, until I watched Nick Broomfield's documentary Aileen : The Life and Death of A Serial Killer). But beyond that, I'm afraid I don't concur with the rest of the critics. Having viewed it in the cinema only a few weeks before viewing the dvd, my impressions are as much to do with the cinematic incarnation as the domestic one (a transition which only emphasises my major complaint). The film, polished though it may be, ends up little more than a big-budget television movie. Without Theron and Ricci (who is wasted here), this would merely be tv fodder. Director Patty Jenkins allows her interest in the love affair which grows between the destitute hooker Aileen, and the fictionalised Selby, a young middle-class girl, oppressed by her ultra-conservative family for her lesbianis, to take over any handling of the grand scheme. Allowing Aileen to have an additional voice-over, commenting on events is a mistake, made early on. The real Aileen's obsessions were the injustice, and a building paranoia of the media coverage of her trial, and an insistance that she was set up by the police. Views which are hinted at too subtly in the context of the film itself. Theron does well mimicing the movements and looks of the fallen woman - but perhaps stands out simply because she is going against her usual beautiful appearance on celluloid, and because the rest of the cast is so lack-lustre. In dealing with the actual crimes, there are genuine moments of high-tension, and dramatic force. The brutality of the first murder - where one easily expects Aileen to meet a premature end, through to the emotional turmoils as we witness the murders from Aileen's perspective. These are the highlights, which build steadily, as the morality is made cloudy and complicated. Jenkins allows, as writer/director, her own feelings to take control. Sure this is drama, but Aileen is only dead a matter of months when this went into production. The conjecture with regards to the murders and actual events, is a liberty taken as far as the director dares. The real "Selby" is disguised behind drama, a fictionalised characterisation, and the casting of Ricci, who looks so very different from Aileen's real-life lover; whereas Aileen herself is depicted as visually and aurally accurately as the director can get her. Does she deserve this? Convicted murderer or not, there needs to be issues of respect, of dignity. If you buy the double pack, along with Broomfield's documentary, these questions are inescapable. The plotting is dull. Much is made of Aileen's turn to a homosexual relationship in the face of oppression from men (something which the real Aileen may have been trying well before this relationship). Aileen and Selby are both lost souls, clinging to each other for some sort of stability lacking in their lives. Both are outcasts from society because of their sexual preoccupations - Aileen because she is a prostitute, and Selby because she is gay. The subtext doens't go much deeper.
extras There are a number of Theatrical trailers, including two for Monster - the theatrical and international trailer. I won't say much about the other previews, except that they include trailers for In the Cut, and Trapped. There is a fifteen minute featurette on the making of the film. It includes some brief footage of the real court-case, and then a bunch of talking-heads, and some behind the scenes work on the film. The behind the scenes stuff is most interesting, and I wouldn't be surprised if a special edition comes out in future. Theres a very short DTS Film Mixing Featurette. This allows the viewer to select any combination of sound tracks - dialogue, sound effects, music - and compare them during a two minute segment of film. The mix is supposed to be very important in this film. Enlightening, but dulls quickly. Finally is a 15 minute interview segment with composer BT and director Patty Jenkins. Its overly-indulgent, and frankly borish. In the few segments where the two share the screen, I'd swear there is something going on between the two. Too much over-analysing and playing up their own self-importance. No more please. RJES |
PURCHASE MONSTER & AILEEN LIFE AND DEATH OF A SERIAL KILLER DVD pack together |
DISC: Feature length: 109
mins SPECIAL FEATURES:
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Kult UK 15 June 2004
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